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    <title>Qualla: Abasto de Buenos Aires</title>
    <link>https://qualla.com/abasto-de-buenos-aires</link>
    <description><![CDATA[For ninety years the great Art Deco hall on Avenida Corrientes fed Buenos Aires its fruit and vegetables - and gave tango its most beloved voice, the boy the city still calls the Songbird of the Abasto.]]></description>
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    <lastBuildDate>Wed, 08 Jul 2026 02:39:57 GMT</lastBuildDate>
    <itunes:author>Qualla</itunes:author>
    <itunes:summary><![CDATA[For ninety years the great Art Deco hall on Avenida Corrientes fed Buenos Aires its fruit and vegetables - and gave tango its most beloved voice, the boy the city still calls the Songbird of the Abasto.]]></itunes:summary>
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      <itunes:name>Qualla</itunes:name>
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      <title>Qualla: Abasto de Buenos Aires</title>
      <link>https://qualla.com/abasto-de-buenos-aires</link>
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      <title>Abasto de Buenos Aires: Introduction</title>
      <link>https://qualla.com/abasto-de-buenos-aires/</link>
      <description><![CDATA[Photo credit Geroelo, CC BY-SA 4.0. Before dawn, the corner of Corrientes and Anchorena belonged to the crates. Horse carts and then trucks rolled in from the orchards of La Boca and Olivos, and inside a vast hall of arching concrete the wholesalers of Buenos Aires haggled over tomatoes and oranges by the ton. This was the Mercado de Abasto, the central market that fed a city for nearly a century - and the neighborhood that grew up around its noise and smell gave the world a voice that would come to mean tango itself. A boy raised in these streets, selling and singing among the market stalls, became Carlos Gardel, the man Argentines still call El Morocho del Abasto - the dark-haired boy of the Abasto. The building where the crates once stacked to the ceiling now glows with shop windows and cinema marquees, but the name has never left: this is, and always will be, the Abasto.]]></description>
      <content:encoded><![CDATA[<p>Photo credit Geroelo, CC BY-SA 4.0. Before dawn, the corner of Corrientes and Anchorena belonged to the crates. Horse carts and then trucks rolled in from the orchards of La Boca and Olivos, and inside a vast hall of arching concrete the wholesalers of Buenos Aires haggled over tomatoes and oranges by the ton. This was the Mercado de Abasto, the central market that fed a city for nearly a century - and the neighborhood that grew up around its noise and smell gave the world a voice that would come to mean tango itself. A boy raised in these streets, selling and singing among the market stalls, became Carlos Gardel, the man Argentines still call El Morocho del Abasto - the dark-haired boy of the Abasto. The building where the crates once stacked to the ceiling now glows with shop windows and cinema marquees, but the name has never left: this is, and always will be, the Abasto.</p>
<p><strong>Read more:</strong> <a href="https://qualla.com/abasto-de-buenos-aires/">Abasto de Buenos Aires on Qualla</a></p><p><em>Image: Geroelo | CC BY-SA 4.0</em></p>]]></content:encoded>
      <pubDate>Sun, 21 Jun 2026 00:00:00 GMT</pubDate>
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      <itunes:duration>0:06</itunes:duration>
      <itunes:episode>1</itunes:episode>
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      <title>Abasto de Buenos Aires: A Cathedral for Cabbages</title>
      <link>https://qualla.com/abasto-de-buenos-aires/</link>
      <description><![CDATA[Photo credit Kevin Gabbert - User: (WT-shared) Kevin James at  wts wikivoyage, Public domain. The market began modestly. In 1888 the Devoto brothers proposed a supply market on land they had bought in the Balvanera neighbourhood, conveniently set beside the Sarmiento railway and midway between the produce-growing zones at either end of the city. The first covered section ...]]></description>
      <content:encoded><![CDATA[<p>Photo credit Kevin Gabbert - User: (WT-shared) Kevin James at  wts wikivoyage, Public domain. The market began modestly. In 1888 the Devoto brothers proposed a supply market on land they had bought in the Balvanera neighbourhood, conveniently set beside the Sarmiento railway and midway between the produce-growing zones at either end of the city. The first covered section ...</p>
<p><strong>Read more:</strong> <a href="https://qualla.com/abasto-de-buenos-aires/">Abasto de Buenos Aires on Qualla</a></p><p><em>Image: Kevin Gabbert - User: (WT-shared) Kevin James at  wts wikivoyage | Public domain</em></p>]]></content:encoded>
      <pubDate>Sun, 21 Jun 2026 00:00:00 GMT</pubDate>
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      <itunes:duration>0:06</itunes:duration>
      <itunes:episode>2</itunes:episode>
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      <title>Abasto de Buenos Aires: The Songbird of the Abasto</title>
      <link>https://qualla.com/abasto-de-buenos-aires/</link>
      <description><![CDATA[Photo credit Mx._Granger, CC0. No story of this neighborhood survives contact with Carlos Gardel for long, because his presence is everywhere in it. He grew up around the market, absorbed its working-class swagger, and rose to become the defining performer of tango-canción - the tango as song - his recordings ...]]></description>
      <content:encoded><![CDATA[<p>Photo credit Mx._Granger, CC0. No story of this neighborhood survives contact with Carlos Gardel for long, because his presence is everywhere in it. He grew up around the market, absorbed its working-class swagger, and rose to become the defining performer of tango-canción - the tango as song - his recordings ...</p>
<p><strong>Read more:</strong> <a href="https://qualla.com/abasto-de-buenos-aires/">Abasto de Buenos Aires on Qualla</a></p><p><em>Image: Mx._Granger | CC0</em></p>]]></content:encoded>
      <pubDate>Sun, 21 Jun 2026 00:00:00 GMT</pubDate>
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      <itunes:duration>0:06</itunes:duration>
      <itunes:episode>3</itunes:episode>
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      <title>Abasto de Buenos Aires: Decades of Silence</title>
      <link>https://qualla.com/abasto-de-buenos-aires/</link>
      <description><![CDATA[Photo credit Barcex, CC BY-SA 3.0. Markets, like songs, can end. On 14 October 1984 the city moved its central produce trade to a new Mercado Central beyond the city limits, and the great hall fell quiet. For more than a decade the building stood abandoned - a monumental Art Deco shell in the middle of a living ne...]]></description>
      <content:encoded><![CDATA[<p>Photo credit Barcex, CC BY-SA 3.0. Markets, like songs, can end. On 14 October 1984 the city moved its central produce trade to a new Mercado Central beyond the city limits, and the great hall fell quiet. For more than a decade the building stood abandoned - a monumental Art Deco shell in the middle of a living ne...</p>
<p><strong>Read more:</strong> <a href="https://qualla.com/abasto-de-buenos-aires/">Abasto de Buenos Aires on Qualla</a></p><p><em>Image: Barcex | CC BY-SA 3.0</em></p>]]></content:encoded>
      <pubDate>Sun, 21 Jun 2026 00:00:00 GMT</pubDate>
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      <itunes:duration>0:06</itunes:duration>
      <itunes:episode>4</itunes:episode>
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      <title>Abasto de Buenos Aires: A Second Life Behind the Old Facade</title>
      <link>https://qualla.com/abasto-de-buenos-aires/</link>
      <description><![CDATA[Photo credit Fabio, CC BY 2.0. Rescue came in 1996, when the real estate company IRSA, led by Eduardo Elsztain, bought the derelict landmark. Rather than tear it down, the developers preserved its historic Art Deco facade and rebuilt the interior as a modern shopping center, which opened in 1998. Today escalat...]]></description>
      <content:encoded><![CDATA[<p>Photo credit Fabio, CC BY 2.0. Rescue came in 1996, when the real estate company IRSA, led by Eduardo Elsztain, bought the derelict landmark. Rather than tear it down, the developers preserved its historic Art Deco facade and rebuilt the interior as a modern shopping center, which opened in 1998. Today escalat...</p>
<p><strong>Read more:</strong> <a href="https://qualla.com/abasto-de-buenos-aires/">Abasto de Buenos Aires on Qualla</a></p><p><em>Image: Fabio | CC BY 2.0</em></p>]]></content:encoded>
      <pubDate>Sun, 21 Jun 2026 00:00:00 GMT</pubDate>
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      <itunes:duration>0:06</itunes:duration>
      <itunes:episode>5</itunes:episode>
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