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    <title>Qualla: Boké Museum</title>
    <link>https://qualla.com/boke-museum</link>
    <description><![CDATA[A colonial fort on Guinea's old slave-trade river now holds the masks and drums of the very cultures it once helped to oppress.]]></description>
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    <copyright>© 2026 Bendyline</copyright>
    <lastBuildDate>Wed, 08 Jul 2026 02:40:09 GMT</lastBuildDate>
    <itunes:author>Qualla</itunes:author>
    <itunes:summary><![CDATA[A colonial fort on Guinea's old slave-trade river now holds the masks and drums of the very cultures it once helped to oppress.]]></itunes:summary>
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      <itunes:name>Qualla</itunes:name>
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      <title>Qualla: Boké Museum</title>
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      <title>Boké Museum: Introduction</title>
      <link>https://qualla.com/boke-museum/</link>
      <description><![CDATA[Photo credit Aboubacarkhoraa, CC BY-SA 4.0. There are cells in the basement of the Boké Museum. That single detail tells you this building was never meant to house art. The squat stone fort that stands above the Rio Nunez in northwestern Guinea was built in 1878 as an instrument of colonial control, a strongpoint on a river that had carried captives to the Atlantic for generations. Only later, when France was gone and the cells were empty, did it become the Musée Préfectoral de Boké, a place where the masks, drums, and currencies of the region's peoples are kept and shown. The fort that once held prisoners now holds memory.]]></description>
      <content:encoded><![CDATA[<p>Photo credit Aboubacarkhoraa, CC BY-SA 4.0. There are cells in the basement of the Boké Museum. That single detail tells you this building was never meant to house art. The squat stone fort that stands above the Rio Nunez in northwestern Guinea was built in 1878 as an instrument of colonial control, a strongpoint on a river that had carried captives to the Atlantic for generations. Only later, when France was gone and the cells were empty, did it become the Musée Préfectoral de Boké, a place where the masks, drums, and currencies of the region's peoples are kept and shown. The fort that once held prisoners now holds memory.</p>
<p><strong>Read more:</strong> <a href="https://qualla.com/boke-museum/">Boké Museum on Qualla</a></p><p><em>Image: Aboubacarkhoraa | CC BY-SA 4.0</em></p>]]></content:encoded>
      <pubDate>Sun, 14 Jun 2026 00:00:00 GMT</pubDate>
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      <itunes:episode>1</itunes:episode>
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      <title>Boké Museum: A Fort on a Slaving River</title>
      <link>https://qualla.com/boke-museum/</link>
      <description><![CDATA[Photo credit Aboubacarkhoraa, CC BY-SA 4.0. The Rio Nunez, on which Boké sits, was for decades a trading river much like its neighbour the Rio Pongo, a place where caravans from the interior met European and American traders and where human beings were bought and shipped into bondage. The fort at Boké rose late in that his...]]></description>
      <content:encoded><![CDATA[<p>Photo credit Aboubacarkhoraa, CC BY-SA 4.0. The Rio Nunez, on which Boké sits, was for decades a trading river much like its neighbour the Rio Pongo, a place where caravans from the interior met European and American traders and where human beings were bought and shipped into bondage. The fort at Boké rose late in that his...</p>
<p><strong>Read more:</strong> <a href="https://qualla.com/boke-museum/">Boké Museum on Qualla</a></p><p><em>Image: Aboubacarkhoraa | CC BY-SA 4.0</em></p>]]></content:encoded>
      <pubDate>Sun, 14 Jun 2026 00:00:00 GMT</pubDate>
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      <title>Boké Museum: The Kings in the Cells</title>
      <link>https://qualla.com/boke-museum/</link>
      <description><![CDATA[Photo credit Aboubacarkhoraa, CC BY-SA 4.0. Two African rulers were imprisoned in this fort, and their names anchor its hardest chapter. Alfa Yaya, the ruler of Labé in the Fouta Djallon, and Dinah Salifou, the last king of the Nalu people, were both held here as French power closed over their kingdoms. The basement rooms ...]]></description>
      <content:encoded><![CDATA[<p>Photo credit Aboubacarkhoraa, CC BY-SA 4.0. Two African rulers were imprisoned in this fort, and their names anchor its hardest chapter. Alfa Yaya, the ruler of Labé in the Fouta Djallon, and Dinah Salifou, the last king of the Nalu people, were both held here as French power closed over their kingdoms. The basement rooms ...</p>
<p><strong>Read more:</strong> <a href="https://qualla.com/boke-museum/">Boké Museum on Qualla</a></p><p><em>Image: Aboubacarkhoraa | CC BY-SA 4.0</em></p>]]></content:encoded>
      <pubDate>Sun, 14 Jun 2026 00:00:00 GMT</pubDate>
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      <title>Boké Museum: From Garrison to Gallery</title>
      <link>https://qualla.com/boke-museum/</link>
      <description><![CDATA[Photo credit Aboubacarkhoraa, CC BY-SA 4.0. In 1971, in the years after independence, Guinea's first president Ahmed Sékou Touré had the old fort turned into a museum. It was restored in 1982 by the Friends of the Museum Association and reopened as the prefecture's keeper of regional heritage. The choice carried meaning. A...]]></description>
      <content:encoded><![CDATA[<p>Photo credit Aboubacarkhoraa, CC BY-SA 4.0. In 1971, in the years after independence, Guinea's first president Ahmed Sékou Touré had the old fort turned into a museum. It was restored in 1982 by the Friends of the Museum Association and reopened as the prefecture's keeper of regional heritage. The choice carried meaning. A...</p>
<p><strong>Read more:</strong> <a href="https://qualla.com/boke-museum/">Boké Museum on Qualla</a></p><p><em>Image: Aboubacarkhoraa | CC BY-SA 4.0</em></p>]]></content:encoded>
      <pubDate>Sun, 14 Jun 2026 00:00:00 GMT</pubDate>
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      <title>Boké Museum: What the Collection Holds</title>
      <link>https://qualla.com/boke-museum/</link>
      <description><![CDATA[Photo credit Aboubacarkhoraa, CC BY-SA 4.0. The galleries gather objects from the many cultures of the Boké region. There are Baga pieces: communication drums, the drums used in the initiation of women, and the carved Baga serpent that figures in the initiation of boys. There are nimba masks, towering emblems of fertility,...]]></description>
      <content:encoded><![CDATA[<p>Photo credit Aboubacarkhoraa, CC BY-SA 4.0. The galleries gather objects from the many cultures of the Boké region. There are Baga pieces: communication drums, the drums used in the initiation of women, and the carved Baga serpent that figures in the initiation of boys. There are nimba masks, towering emblems of fertility,...</p>
<p><strong>Read more:</strong> <a href="https://qualla.com/boke-museum/">Boké Museum on Qualla</a></p><p><em>Image: Aboubacarkhoraa | CC BY-SA 4.0</em></p>]]></content:encoded>
      <pubDate>Sun, 14 Jun 2026 00:00:00 GMT</pubDate>
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      <itunes:episode>5</itunes:episode>
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