
The rumor will not die, no matter how many times it is denied. Visitors to Jiufen arrive expecting to walk through the real-life inspiration for Spirited Away, Hayao Miyazaki's 2001 animated masterpiece about a girl trapped in a bathhouse for spirits. The narrow stepped alleyways, the red paper lanterns swaying over stone staircases, the tea houses with their sweeping views of the Pacific - it all feels like something Miyazaki dreamed. He has firmly stated that Jiufen was not his inspiration. The visitors come anyway, cameras raised, convinced their eyes know better than the director's denial.
Jiufen sits in the hills of Ruifang District, overlooking Taiwan's northeast coast from an elevation that turns the Pacific into a backdrop and the clouds into neighbors. Its name, written as nine portions in Chinese, refers to an old story about the village's nine original households, each receiving one-ninth of supplies brought up the mountain. The gold is gone, but the portions have multiplied beyond counting.
Gold was discovered in Jiufen's mountains in the late nineteenth century, and the village transformed overnight from an isolated hillside settlement into a boomtown. Miners flooded in. Wealth followed. The narrow streets that visitors walk today were originally cut into the steep terrain to serve the mining industry - paths for workers heading to the shafts, routes for hauling ore down to processing facilities in the valley below. The gold ran out in the 1950s, and Jiufen entered a decline so steep it nearly became a ghost town. Young people left. Shops closed. The mountain reclaimed its quiet. What saved Jiufen was not another mineral strike but a different kind of discovery: the realization that a mining town frozen in time, with its winding lanes and aging architecture still intact, was worth more as a destination than the gold had ever been.
Jiufen's revival began with cinema. In 1989, director Hou Hsiao-hsien chose the village as the setting for A City of Sadness, a film about a Taiwanese family navigating the upheaval of the late 1940s. The film won the Golden Lion at the Venice Film Festival - the first Taiwanese film to receive the award - and suddenly the entire island was curious about the atmospheric mountain town where it was shot. Tourists began arriving. Entrepreneurs opened tea houses in the old buildings, strung red lanterns along the stepped alleyways, and discovered that Jiufen's combination of steep terrain, ocean views, and preserved architecture created an atmosphere that felt cinematic even without cameras rolling. Then came the Spirited Away connection - never confirmed by Miyazaki, but so visually compelling that it became self-sustaining legend. The narrow passages of Jishan Street and the steep stone steps of Shuqi Road do look like something from the film. Whether Miyazaki visited or not, the resemblance has drawn millions of visitors from across Asia and beyond.
Jiufen's culinary identity is as concentrated as its geography. Jishan Street, the main commercial lane that winds along the hillside, packs an astonishing density of food vendors into a passage barely wide enough for two people to walk abreast. Fishball soup is ladled from enormous pots. Yuyuan - taro balls served in sweet broth with red beans, nuts, and mochi - has become the village's signature dish, available hot or cold from competing vendors who each claim the original recipe. Dumplings, grilled sausages, and peanut ice cream rolls appear and disappear in the steam and smoke of a street that functions as a single continuous kitchen. Above the food stalls, the teahouses offer a different experience entirely. These multi-story establishments, built into the hillside with terraces facing the Pacific, serve traditional Taiwanese tea with views that extend to the horizon on clear days. The contrast between the bustling compression of Jishan Street and the spacious calm of a teahouse balcony is the essential Jiufen experience - intensity and serenity separated by a single flight of stairs.
Jiufen is one of the most visited tourist villages in Taiwan, and the crowds can be formidable. Weekend afternoons bring tour buses from Taipei, and the narrow lanes that charm visitors at half capacity become challenging at full. Seasoned travelers know the trick: arrive before noon on a weekday, when the lanterns are unlit but the streets are navigable and the shop owners are unhurried. The bus system from Taipei offers multiple routes. From Ruifang Station, the Keelung Bus 788 runs every twenty to thirty minutes for the fifteen-minute ride up the mountain. From Taipei proper, the Highway Bus 1062 makes the ninety-minute journey from Songshan Station. On weekends and holidays, only public buses and private cars are permitted on the mountain roads - tour buses must park in designated lots below, with free shuttles ferrying passengers the final distance. This restriction, born of traffic necessity, has the unintended effect of slowing the weekend approach, giving visitors time to watch the valley views unfold on the left side of the bus as it climbs from Ruifang through the mining district to the old gold town above.
Located at 25.11°N, 121.84°E in the hills of Ruifang District, New Taipei City, on Taiwan's northeast coast. Jiufen is visible from altitude as a dense cluster of buildings on a steep hillside facing the Pacific Ocean. The town sits at roughly 300-400m elevation above the coastal plain. The nearby Yin-Yang Sea at Shuinandong Bay (two-toned yellow and blue water) is a distinctive aerial landmark to the northeast. The ruins of the Shuinandong Smelter are visible on the hillside below. Keelung Harbor lies approximately 15km to the northwest. Taipei Songshan Airport (RCSS/TSA) is about 30km to the west. Taiwan Taoyuan International Airport (RCTP/TPE) is roughly 65km to the west-southwest. The terrain is mountainous with steep slopes descending to the coast. Weather is frequently overcast with rain common year-round on this windward coast.