
A French ballet dancer named Helene Giuglaris fell in love with a Japanese legend she never saw performed, about a beach she never visited. When she died in Paris in 1951 at the age of thirty-five, her final request was startling: "Bury my hair near the Hagoromo pine tree at Mihonomatsubara beach." Four months later, her husband Marcel traveled to a seven-kilometer stretch of pine-fringed shoreline on Suruga Bay, carrying a lock of her hair and her dance costume. He buried the hair beneath a monument overlooking the sea. The monument shows Helene holding a Noh mask, and below her figure is a poem Marcel wrote in French. This is Miho no Matsubara -- a place where legend and devotion have been tangling in the pine branches for centuries.
The legend that captivated Giuglaris is one of Japan's most enduring tales, a variation of the universal swan maiden motif adapted into the Noh drama Hagoromo. A celestial being, flying over Miho no Matsubara, was so overcome by the beauty of the white sand, green pines, and sparkling water that she descended to bathe. She removed her hagoromo -- her feathered robe -- and hung it on a pine branch. A fisherman named Hakuryo, walking the beach, discovered the robe and refused to return it until the angel performed a heavenly dance. Unable to fly home without the garment, she complied. She danced in the spring twilight and ascended to heaven in the light of the full moon, leaving Hakuryo gazing after her. A legendary pine tree called Hagoromo no Matsu marks the legendary spot. A statue of Hakuryo watching the celestial dance greets visitors at the entrance to the park.
The scenery that drew an angel from the sky is real enough. Miho no Matsubara stretches seven kilometers along the Miho Peninsula in Shimizu Ward of Shizuoka City, a crescent of shoreline backed by dense pine groves. Across Suruga Bay, Mount Fuji fills the western horizon, its snow-capped cone framed by dark green branches in what has become one of the most iconic views in Japanese landscape art. The composition was so prized that the pine groves were designated a National Place of Scenic Beauty in 1922. In 2013, they were inscribed on the UNESCO World Heritage List as part of the Fujisan Cultural Site -- recognition that Miho no Matsubara is not just a pretty beach but an essential component of the cultural landscape surrounding Japan's sacred mountain. The site was also selected as one of Japan's top 100 white sand beaches and green pine groves.
Visitors expecting the legendary white sands may be surprised. Miho no Matsubara's beach is now uniformly black, a transformation that local residents attribute to a very modern cause. The Abe River, which flows into Suruga Bay to the west, historically carried white sand that currents deposited along the Miho Peninsula's shore. During construction of the Tokaido Shinkansen bullet train line, large quantities of the Abe River's sand were extracted for use in the project. Over time, the ocean swept away the existing layers of white sand, and without the river replenishing it, the volcanic black sand beneath was exposed. The peninsula itself was originally formed from volcanic rock, and the dark sand is its natural state. What visitors see today is arguably the original beach -- the white sand was always borrowed. The pines remain green, the water still sparkles, and Fuji still towers across the bay, but the color palette has shifted beneath visitors' feet.
Every October, on the second Saturday and Sunday of the month, the city of Shizuoka holds the Hagoromo Festival near the ancient pine tree. The centerpiece is a performance of the Noh play Hagoromo by firelight -- a tradition called Takigi Noh where the stage is illuminated by blazing torches rather than electric lights. The festival also includes creative dances performed in honor of Helene Giuglaris, the French ballerina who adored the Hagoromo legend from afar. Giuglaris was born in 1916 and trained as a classical dancer in Paris. She became fascinated by Japanese performing arts and devoted herself to interpreting the Hagoromo story through ballet, yet she never traveled to Japan and never witnessed an actual Noh performance. Her monument above the beach, overlooking the pine tree and the sea, carries Marcel's poem: "The wind of Miho's / Breaking waves / Speaks of She in Paris / Whose life Hagoromo took away. / If I listen, my days / Will take flight."
A path called the Road of God connects the Miho Shrine to Hagoromo no Matsu, the ancient pine tree at the shore. The shrine preserves what it claims is a fragment of the angel's feathered robe -- a piece of celestial plumage kept as a sacred relic. The torii gate of the shrine frames the pine-lined corridor leading to the beach, and the walk from shrine to shore has the quality of a pilgrimage, each step carrying visitors deeper into the legend. Haguruma Shrine stands beside the old pine tree, a small structure beside the legendary Hagoromo no Matsu pine. The original ancient tree died around 2010 and was succeeded by the tree standing today, but the site's sacred identity endures. The entire composition -- shrine, path, pines, mountain, bay -- was understood by UNESCO as a unified cultural landscape, inseparable from Fuji itself. From the shore, when the air is clear, the mountain appears to float above the water, exactly as it did when an angel paused mid-flight to admire the view.
Located at 35.00N, 138.52E on the Miho Peninsula in Shimizu Ward, Shizuoka City. The peninsula juts into Suruga Bay and is clearly visible from altitude as a narrow spit of land with dense pine groves along its southern shore. Mount Fuji dominates the view to the northwest. From 3,000-5,000 feet AGL, the seven-kilometer pine-lined beach and the contrast between the dark trees and the bay are distinctive. Shimizu Port sits to the west of the peninsula. Mt. Fuji Shizuoka Airport (RJNS) is approximately 25 nautical miles to the southwest.