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    <title>Qualla: Sandervalia National Museum</title>
    <link>https://qualla.com/sandervalia-national-museum</link>
    <description><![CDATA[Guinea's national museum in Conakry, where a near-empty building still guards a few masks, a courtyard of colonial statues, and the memory of a collection lost.]]></description>
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    <copyright>© 2026 Bendyline</copyright>
    <lastBuildDate>Wed, 08 Jul 2026 02:40:09 GMT</lastBuildDate>
    <itunes:author>Qualla</itunes:author>
    <itunes:summary><![CDATA[Guinea's national museum in Conakry, where a near-empty building still guards a few masks, a courtyard of colonial statues, and the memory of a collection lost.]]></itunes:summary>
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      <itunes:name>Qualla</itunes:name>
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      <title>Qualla: Sandervalia National Museum</title>
      <link>https://qualla.com/sandervalia-national-museum</link>
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      <title>Sandervalia National Museum: Introduction</title>
      <link>https://qualla.com/sandervalia-national-museum/</link>
      <description><![CDATA[Photo credit Aboubacarkhoraa, CC BY-SA 4.0. Most of the rooms are empty. That is the first thing a visitor notices at the Sandervalia National Museum, Guinea's national museum, set in a quiet park near the tip of the Conakry peninsula. The grand purpose announced by the name and the courtyard statues runs up against a humbler reality inside: a single room of masks, a model of village houses, an artisan's gallery where fabrics and carvings are for sale. The emptiness is not neglect alone. It is the visible scar of a chapter in Guinea's history when the state itself turned against the country's own art.]]></description>
      <content:encoded><![CDATA[<p>Photo credit Aboubacarkhoraa, CC BY-SA 4.0. Most of the rooms are empty. That is the first thing a visitor notices at the Sandervalia National Museum, Guinea's national museum, set in a quiet park near the tip of the Conakry peninsula. The grand purpose announced by the name and the courtyard statues runs up against a humbler reality inside: a single room of masks, a model of village houses, an artisan's gallery where fabrics and carvings are for sale. The emptiness is not neglect alone. It is the visible scar of a chapter in Guinea's history when the state itself turned against the country's own art.</p>
<p><strong>Read more:</strong> <a href="https://qualla.com/sandervalia-national-museum/">Sandervalia National Museum on Qualla</a></p><p><em>Image: Aboubacarkhoraa | CC BY-SA 4.0</em></p>]]></content:encoded>
      <pubDate>Sun, 14 Jun 2026 00:00:00 GMT</pubDate>
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      <itunes:duration>0:06</itunes:duration>
      <itunes:episode>1</itunes:episode>
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      <title>Sandervalia National Museum: A Museum Against the Tide</title>
      <link>https://qualla.com/sandervalia-national-museum/</link>
      <description><![CDATA[Photo credit Yamen, CC BY 4.0. The museum opened in 1960, two years after independence, as part of a deliberate cultural program. The same government that founded it also made Les Ballets Africains — founded in Paris in 1952, then adopted as Guinea's national ensemble at independence — and the national broadca...]]></description>
      <content:encoded><![CDATA[<p>Photo credit Yamen, CC BY 4.0. The museum opened in 1960, two years after independence, as part of a deliberate cultural program. The same government that founded it also made Les Ballets Africains — founded in Paris in 1952, then adopted as Guinea's national ensemble at independence — and the national broadca...</p>
<p><strong>Read more:</strong> <a href="https://qualla.com/sandervalia-national-museum/">Sandervalia National Museum on Qualla</a></p><p><em>Image: Yamen | CC BY 4.0</em></p>]]></content:encoded>
      <pubDate>Sun, 14 Jun 2026 00:00:00 GMT</pubDate>
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      <itunes:episode>2</itunes:episode>
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      <title>Sandervalia National Museum: The Courtyard of Ghosts</title>
      <link>https://qualla.com/sandervalia-national-museum/</link>
      <description><![CDATA[Photo credit François-Edmond Fortier, Public domain. Step into the courtyard and the colonial era stares back in stone. Statues moved here over the years represent the figures who shaped, and seized, this corner of West Africa. There is Almamy Samori Ture, the Mandinka leader who built an empire and fought the French for years befo...]]></description>
      <content:encoded><![CDATA[<p>Photo credit François-Edmond Fortier, Public domain. Step into the courtyard and the colonial era stares back in stone. Statues moved here over the years represent the figures who shaped, and seized, this corner of West Africa. There is Almamy Samori Ture, the Mandinka leader who built an empire and fought the French for years befo...</p>
<p><strong>Read more:</strong> <a href="https://qualla.com/sandervalia-national-museum/">Sandervalia National Museum on Qualla</a></p><p><em>Image: François-Edmond Fortier | Public domain</em></p>]]></content:encoded>
      <pubDate>Sun, 14 Jun 2026 00:00:00 GMT</pubDate>
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      <title>Sandervalia National Museum: What Remains</title>
      <link>https://qualla.com/sandervalia-national-museum/</link>
      <description><![CDATA[Photo credit Fwp yyz, CC BY 2.0. After the 1984 coup, the restrictions on indigenous religion lifted, and the museum, its oldest pieces long vanished, found a quieter second life. It became a gathering place for Conakry's small artistic community, hosting conferences in the early 1990s and, in later years, shelt...]]></description>
      <content:encoded><![CDATA[<p>Photo credit Fwp yyz, CC BY 2.0. After the 1984 coup, the restrictions on indigenous religion lifted, and the museum, its oldest pieces long vanished, found a quieter second life. It became a gathering place for Conakry's small artistic community, hosting conferences in the early 1990s and, in later years, shelt...</p>
<p><strong>Read more:</strong> <a href="https://qualla.com/sandervalia-national-museum/">Sandervalia National Museum on Qualla</a></p><p><em>Image: Fwp yyz | CC BY 2.0</em></p>]]></content:encoded>
      <pubDate>Sun, 14 Jun 2026 00:00:00 GMT</pubDate>
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      <itunes:episode>4</itunes:episode>
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