w:Clarksburg, West Virginia as viewed from the east on Main Street
w:Clarksburg, West Virginia as viewed from the east on Main Street — Photo: Tim Kiser (w:User:Malepheasant) | CC BY-SA 2.5

West Virginia Italian Heritage Festival

FestivalsItalian AmericanWest VirginiaCulture
5 min read

In 1979, Joe DiMaggio rode through downtown Clarksburg, West Virginia, in a parade car with Governor Jay Rockefeller on one side and Senator Jennings Randolph on the other. The occasion was the first West Virginia Italian Heritage Festival. The Yankee Clipper was the parade marshal; the singer Jerry Vale gave a free concert that night; eighty thousand visitors poured into a city of fewer than 17,000 residents. The festival was meant as a celebration of the unusually large Italian-American population of north-central West Virginia - the descendants of immigrants who had come a generation or two earlier to work the coal mines, the glass factories, and the natural-gas industry around Clarksburg. The first year worked. The festival has run every Labor Day weekend since (with a partial COVID interruption in 2020) and now draws crowds of more than 100,000 to the same three blocks of Main Street.

Why Clarksburg?

The answer to the obvious question - why Italian heritage in West Virginia? - lies in the early twentieth-century immigration patterns of the Appalachian basin. Between 1890 and 1924, the great wave of Italian immigration to the United States deposited unusually large numbers of southern Italian families in the small industrial cities of north-central West Virginia. Clarksburg and Fairmont in particular received Italian workers in concentrations that exceeded almost any other small-city region in the country east of New York. They worked the coal mines around Clarksburg, the glass factories that grew up around local natural gas supplies, the railroad construction, and eventually the small businesses that immigrant families established as their economic foothold strengthened. By the 1950s, Italian-American surnames - Manchin, Spatafore, Iaquinta, Bonasso, Romano - dominated the rolls of local civic and political organizations. The cuisine, the family structures, the Catholic parishes, and the social clubs of those families became part of north-central West Virginia identity in a way that has lasted three or four generations.

Founding the Festival

The festival was conceived in the late 1970s by a small founding board - Louis Spatafore, Sam Chico, Sam D'Annunzio, Frank Iaquinta, James D. Larosa, John Manchin, and Alma Moore - who wanted a public celebration that would both honor the Italian-American heritage of the region and serve as a civic event large enough to put Clarksburg on the national festival circuit. The 1979 inaugural was an ambitious gamble. Booking Joe DiMaggio as parade marshal required leveraging personal connections to the New York Italian-American community; arranging the Jerry Vale concert required similar coordination. The investment worked. Eighty thousand people came that first year, far exceeding expectations, and the festival quickly became one of the largest civic events in West Virginia. The original board's instinct - that there was a hunger for a public celebration of Italian-American identity in a country that was otherwise letting that heritage fade into general suburban whiteness - proved correct.

What Happens on Labor Day Weekend

The festival takes over downtown Clarksburg from Friday evening through Sunday night. The street blocks between South 2nd and South 4th Streets along Main Street are closed to traffic; vendor booths fill the streets; stages are set up at multiple locations for live music; and the Harrison County Courthouse plaza becomes the centerpiece for the largest events. The opening ceremony features the crowning of Regina Maria, the festival queen (Regina meaning queen, Maria the name of the first queen of Italy), and her court. The Saturday morning Italian Heritage Mass at Immaculate Conception Catholic Church is one of the largest gatherings of Italian-American Catholics in the eastern United States. The weekend includes a 5K run, a golf tournament, a bocce competition, the National Pasta Cookoff (which moved to the festival in the 2010s), and an enormous food court representing every regional Italian cuisine imaginable. The festival concludes Sunday evening with a traditional festival ball.

The Entertainment Roster

Across forty-five years the festival has booked an unusual range of Italian-American and West Virginia entertainers. The 1979 Jerry Vale concert was followed by performances from Tony Danza, Frankie Avalon, Joey Dee and the Starliters, Kathy Mattea, Jo Dee Messina, and Steve Augeri (formerly of Journey), among many others. The booking philosophy mixes established Italian-American performers with West Virginia country and rock musicians and rising contemporary acts, giving the festival both the nostalgic dimension that the older crowd appreciates and the contemporary energy that draws younger attendees. The Saturday-night headliner concert at the courthouse plaza routinely draws crowds of thirty thousand or more, packed shoulder to shoulder in downtown streets.

Italian American of the Year

Each year the festival recognizes outstanding Italian-Americans with the Italian-American Man and Woman of the Year awards. The lists, going back to 1980, read like a roll call of West Virginia and broader American Italian-American achievement. Joe Manchin, the future governor and U.S. Senator, was named Man of the Year in 2009. Joe Retton, the longtime West Virginia high school basketball coach, in 2013. Major General James A. Hoyer, the Adjutant General of the West Virginia National Guard, in 2015. Natalie Tennant, the West Virginia Secretary of State, was Woman of the Year in 2010; the novelist Denise Giardina in 1989; the actress Joyce DeWitt (of Three's Company fame), originally from Speedway, Indiana but with West Virginia connections, in 2007. Honorary Italian designations have gone to governors, senators, businesspeople, judges, sports figures, and a long roster of West Virginia public figures including Robert Byrd, Sam Huff, Jim Justice, and Brad D. Smith. The recognitions reinforce the festival's role as the principal civic occasion of Italian-American West Virginia.

A Festival That Stayed

Many festivals of the 1970s have faded. The West Virginia Italian Heritage Festival has not. It has expanded steadily over four and a half decades, attracted media attention that occasionally extends beyond regional boundaries, and become one of the events that defines Clarksburg's identity in the state. The economic impact on a city that has struggled with downtown vacancy and population loss is substantial - the three days of festival represent the largest single concentration of visitor spending in Clarksburg's year. The cultural impact is harder to measure but no less real. The festival keeps Italian-American identity in north-central West Virginia visible, organized, and intergenerational at a time when most ethnic celebrations of the American assimilation era have quietly disappeared. Joe DiMaggio rode through Clarksburg only once. The festival has continued the parade for nearly five decades since.

From the Air

The festival takes place in downtown Clarksburg at 39.28 N, 80.34 W in Harrison County, north-central West Virginia. Held annually on Labor Day weekend (typically Friday-Sunday in early September). Best viewed at 2,500-4,000 feet AGL during the festival, when downtown streets are visibly closed to traffic and crowds fill the blocks between South 2nd and South 4th Streets along Main Street. Nearest airport: North Central West Virginia Airport (KCKB) about 5 nm east at Bridgeport. The West Fork River loops around the western edge of downtown; I-79 lies about 4 nm east at Exit 119.