Alex Mylona lived from 1920 to 2016 - ninety-three years that spanned nearly the entire history of modern Greek art. She belonged to a generation of Greek artists who pushed sculpture toward abstraction at a time when classical figures still ruled the national imagination. Her permanent collection here is not limited to bronze and marble. It spreads across drawings, paintings, collages, tapestries, and prints, the full range of a restless maker who refused to stay inside a single medium. Walking the rooms of her former home, you trace a life's worth of experiment under one roof - the place where she worked, now the place that explains her.

The building itself is part of the story. Designed in 1920 by the architect Vassilios Tsagris, it is a neoclassical structure laced with Art Nouveau detail, the kind of early-twentieth-century Athenian house that survived where so many were lost to concrete. Its position is a gift to the visitor: wedged between Thiseio, with its ancient temple and pedestrian promenade beneath the Acropolis, and Psyri, the buzzing tangle of workshops, tavernas, and street art that defines the city's nightlife. To reach the museum you pass through layers of Athens - antiquity on one side, the living, noisy present on the other - before stepping into a sculptor's carefully ordered world.

The museum opened in 2004 with a double purpose: to honor Mylona and to give young artists a place to show their work, through temporary exhibitions, workshops, and lectures. Three years later, in 2007, it joined forces with the Macedonian Museum of Contemporary Art, a leading institution far to the north in Thessaloniki. Since 2018 it has been one of five sites under the umbrella of MOMus, the Metropolitan Organisation of Thessaloniki Fine Arts Museums - a network that links collections across Greece. The full institutional name is a mouthful, but the idea behind it is simple: a single sculptor's house in Athens became a node in a national conversation about contemporary art.