![The English archaeologist Reginald Engelbach discovered this Ancient Egyptian pectoral jewellery in a tomb at Riqqeh, Egypt, in 1912 near the entrance to the Faiyum lake region. Its tomb ceiling had collapsed, crushing a tomb robber, which is probably why this jewellery survived. This pectoral is a piece of golden chest jewellery with stones of carnelian, turquoise and lapis lazuli. This small (4.2cm wide) object has perhaps the most dramatic biography of any in the Manchester Museum collection, and one which would not seem out of place in a Hollywood movie script. Known today as the Riqqeh Pectoral after the site at which it was discovered, this ornate chest ornament, with two loops for suspension indicating that it was worn on a necklace, is an undoubted highlight of the Manchester Museum. The piece was created using a technique termed cloisonné, in which separate gold sections are filled with semi-precious stones. Lapis lazuli (dark blue), carnelian (red) and turquoise (blue/green) give the pectoral its colourful appearance and gem-like lustre. The reverse is chased in gold with details of the figures: two wedjat eyes (or ‘eyes of Horus’) flank a sun disk above two falcons (sometimes described as ‘crows’) on symbols for ‘gold’. The composition is arranged symmetrically around a stylised papyrus umbel suggesting a sekhem sceptre – a symbol of power. Two inward turned papyrus stalks frame the group.
Riqqeh pectoral. Manchester Museum Accession No 5966.
The pectoral was found in association with two other items, each in the form of a king's name: Senusret II (Khakheperre) and Senusret III (Khakaure). It can, therefore, be reliably dated to the second half of the Twelfth Dynasty of Egypt (c.1900-1800 BC) of the Middle Kingdom of Egypt. It is a fine example of delicate jewellery on a small scale, typical of the best Middle Kingdom royal pieces.[1]](/_p/g/c/w/2/manchester-museum-wp/hero.webp)
In June 2013, a time-lapse camera in a glass case at Manchester Museum caught a ten-inch Egyptian statuette turning slowly in a perfect circle, as if someone unseen were pinching its base and rotating it for inspection. Professor Brian Cox blamed differential friction and vibrations from passing footsteps. The museum's Egyptologist Campbell Price was politer but unconvinced: the figurine had sat undisturbed on that shelf for years. The story went around the world. Visitor numbers spiked. Whatever was happening to the statue, it had done a remarkable job of reminding people that this place exists.
Manchester Museum began in 1821, when the Manchester Society of Natural History bought the collection of John Leigh Philips and put it on display at Peter Street. The Geological Society's collection joined in 1850. By the 1860s both societies were running out of money, and on the recommendation of the evolutionary biologist Thomas Huxley, Owens College agreed to take the lot. The college commissioned Alfred Waterhouse, the architect of London's Natural History Museum, to build a new home on Oxford Road; it opened in 1888. Three Waterhouse generations would eventually extend the frontage. The 1912 wing was paid for by the textile merchant Jesse Haworth to house Egyptology; the 1927 wing was added for the ethnographic collections. A two-storey extension and new galleries arrived in 2023, the conclusion of a £15 million programme that closed the museum for eighteen months and reopened it to 52,000 visitors in a single week.
On the first floor, a gallery designed by the Brussels firm villa eugenie asks visitors to think about what nature means to them. A demoiselle crane stands in a glass case beside a piece of rubble from the Hiroshima blast and hundreds of paper origami cranes folded in tribute. A red panda nearby was collected in the Himalayas by Brian Houghton Hodgson. A male and female huia, both extinct, sit not far from bones of the great auk, the dodo, and the ivory-billed woodpecker. The single known egg of the slender-billed curlew is here. The warbler finch on a small mount was collected by Charles Darwin on the Galapagos in 1835. Among living animals, the Vivarium on the second floor holds critically endangered neotropical frogs - lemur leaf, yellow-eyed leaf, splendid leaf - in captive breeding programmes linked to conservation work in Costa Rica and Panama.
Ancient Worlds, which opened in 2012, fills the 1912 Egyptology wing. The collection is one of the great Egyptological holdings outside London, anchored by finds from Flinders Petrie's excavations at Kahun and Gurob that Jesse Haworth and Martyn Kennard donated in 1890. Winifred Crompton, the first keeper of the wing, set the tone. In 1973 Rosalie David started the Egyptian Mummy Research Project here, applying radiology and endoscopy to mummies as a way of reading ancient health and disease without disturbing the bodies. In 1975 the team performed the first complete unwrapping of a mummy in Britain since 1908: mummy number 1770. From 1979 the work shifted to non-invasive imaging, and the data still feeds the International Mummy Database. Worsley Man, a bog body found in Chat Moss, lies in storage; Lindow Man visited from the British Museum in 2008.
In November 2019, Manchester Museum returned 43 secret, sacred, and ceremonial items to Aboriginal and Torres Strait Islander communities in Australia. In September 2023, it returned 174 more objects to Indigenous Australians, including carvings, baskets, and a major collection of shell dolls received from the Anindilyakwa women at a ceremony in the museum. Krista Pikkat, UNESCO's director for culture and emergencies, called it inspiration for other institutions. The Manchester Gallery itself now explores how the collections were assembled, where they came from, and how they connect to colonialism and empire; the 2007 Myths About Race exhibition opened that conversation, and Belonging Gallery and the South Asia Gallery - the first permanent UK exhibition space dedicated to South Asian communities, developed with the British Museum - opened in 2023.
The numbers are unreasonable. The Manchester Herbarium contains around 950,000 plant specimens, including some from Carolus Linnaeus and from Darwin's Beagle voyage. The entomology collection holds nearly three million specimens and includes one of the only three known specimens of the Manchester moth, captured on Kersal Moor in 1829. The bird study skin collection runs to 15,000 specimens from over 2,000 species. The mollusc collection is the fourth-largest in Britain. The geology galleries hold 40,000 mammalian bones from Creswell Crags. And then there is Stan: a reproduction cast of the second-most-complete Tyrannosaurus rex ever excavated, named for Stan Sacrison who found the original in South Dakota in 1992. Stan greets visitors on the ground floor with the kind of theatricality that started this story. The statue still spins, occasionally. Brian Cox still has his theory.
Manchester Museum sits at 53.4664°N, 2.2344°W on Oxford Road (A34), at the heart of the University of Manchester campus about a mile south of the city centre. Recommended viewing altitude 1,500-3,000 ft AGL. The Waterhouse Gothic Revival range is visible alongside Whitworth Hall in the cluster of red and buff stone university buildings on the east side of Oxford Road. Nearest ICAO airports: Manchester (EGCC) 6 nm south-southwest, Manchester Barton (EGCB) 5 nm west-northwest, Leeds Bradford (EGNM) 36 nm east-northeast. Manchester sees frequent low overcast in winter; the Oxford Road corridor running south from the city centre is one of the easier alignments to follow.